#The marked ones code#

Fortunately, Jacobs and Diaz boast an easy “Beavis and Butt-head”-esque chemistry throughout, making for pleasant company as the audience waits for the inevitable horrors to befall them. Seemingly possessing no greater postgrad ambitions than milling around and attempting “Jackass” stunts with their omnipresent video camera, Jesse and Hector harass Jesse’s abuela (Renee Victor), smoke pot, play basketball, occasionally run afoul of some local gangsters, draw penises on one another’s faces, and generally bust each other’s balls for a decent chunk of the film. Set in gritty Oxnard, Calif., the film boasts an almost entirely Latino cast of characters - a welcome gesture toward a huge filmgoing demographic that rarely gets to see itself onscreen - while smart casting and production design help capture the flavor of the environs with only moderate deployment of cultural stereotypes. Kicking off with a high-school graduation, “The Marked Ones” centers on likably lunkheaded teenage buddies Jesse (Andrew Jacobs) and Hector (Jorge Diaz), as well as Jesse’s tag-along relative Marisol (Gabrielle Walsh).

TODO: Only use this if the video actually asked for it in the relevant flag, and investigate if the current quality affects its use.At this point, the conventions and limitations of the found-footage horror film are almost as well worn and cliched as those of horror pics at large: “Put down the camera, stupid!” has now probably been shouted at just as many screens as “Don’t go down into the basement!” (Look for “Tilt your viewfinder 20 degrees to the left!” to finally supplant “Look out behind you!” within the present decade.) Appropriately, the hapless heroes of “The Marked Ones” never put down the camera even as they venture into dark basements, or struggle to start a stalled car, or split up in the middle of a haunted mansion - and it’s to the credit of the film’s primary cast that these bits of genre-appropriate stupidity generate more laughs than groans. While in Annex J, the strength is controlled at the block-level by the quantization level, here it doesn't make sense, as the result of any deblocking applied to previous frames is not present, and we're not only applying this to 'newly added' blocks. H.263 (01/2005) ( ), just like the rest of the decoder.Įven though Flash (FLV1, Sorenson Spark, whatever) does not implement Annex J - where this is used as an in-loop filter - I thought the same idea could work well as a post-processing step. The algorithm was taken from section J.3 of ITU-T Rec.

#The marked ones code#

Note that for comparison purposes, this code as is only applies this to the right half of the frames. I'm not sure if this code should be in that repo, or here, but it's not much, so maybe it's not so important. This tries to alleviate ruffle-rs/h263-rs#11.